Monthly Archives: November 2014

Golden Era: 20th Anniversary of Mary J. Blige’s My Life

We here at South Shore Ave are gassing up the DeLorean & taking you back to the musical Golden Era of 90’s music to celebrate the 20th Anniversary of one of the Greatest albums in R&B history. Twenty years from tomorrow, coming off the success of What’s the 411?, Mary J Blige gave us the gift that was My Life, an album that solidified her as the R&B voice for her generation. As we celebrate My Life, we’ll review some of our favorite songs from the classic LP. I know you can hear me now…..

**DISCLAIMER — This is not a Top 5 list. You could make a honest argument for 10 songs from this album being in the Top 5. This is strictly a review a collection of songs from the album.**  

I Love You 

“All those pretty memories / I know you can hear me now / For the record / I love you / I love you 

I shine…… you shine (shine)…….. I shine……. you shine (shine)……. I shine…….. you shine (shine)…….. I shine……. you shine (shine)…….. I shine…….. you shine……. and this day and time / we maintain / the same frame of mind / elevation / spark it up / Yo Start the circulation / 360 degrees of rotation……

…… so I can’t just recite the whole first verse of the remix? Would this be considered as a crime of laziness? Ok, fine. So I won’t do that, but I will say this: you’ll be hard pressed to find another album with so much legendary remixes off the singles. This is no knock whatsoever on the original version of the record.  If there weren’t a remix, this song would be incredible anyway with the piano loops & that hard bass line that came from the mind of Chucky Thompson (well, sort of).  It’s a beautiful record in every which way.  BUT when they threw in Smif-N-Wessun (who were an hot up & coming duo from the Boot Camp Click, that was about to release their own debut album Dah Shinin’) on the beginning of the remix, it metamorphosed into the perfect marriage between R&B and Hip Hop. It’s something that Mary J mastered throughout her entire career, singing over hip hop beats & working with rappers so seamlessly.  You couldn’t find anyone who didn’t love that record. Even the hardcore hip hop heads who never listened to R&B unless their sister was playing it in the house, had to add this single to the collection. 

When I’m 80 years old, and this song comes over whatever speaker device will be around by then, I will get up & do the Puffy dance until I pop my hip out of place. I can’t stress this enough, play this remix to any Montrealer between the ages of 30 – 45 years old, & they’ll lose themselves in that “I Shine, You shine” call-and-response. This is arguably one of the best remixes she was ever a part of, & she had a whole damn album specifically for remixes. It’s hard to separate the remix from the original because they both use the same beat, but you can’t discuss the original without discussing the remix. It’s impossible.

I’m Goin‘ Down

Singing cover songs for artists are tricky. Depending on the kind of song that’s being selected by the artists as well as their vocal range, they can either do a song justice, or just ruin the record to shit. When I was younger, I didn’t have a problem with Michael Bolton, I really didn’t. Then again, I thought those were his songs. Once I heard the originals to them, it made me wanna shave a bald spot into his curls. On the flip side, Luther Vandross did a lot of cover songs & more often that not, killed the original to the point where you pretended he created it himself. In the 90’s, Jodeci annihilated Stevie Wonder’s “Lately” in one of the more memorable cover performances & for this album, Mary J made Rose Royce’sI’m Going Down into her own song. If she were a gymnast, her artistry on this track would be equivalent to a quadruple cartwheel, where she does a crazy flip & sticks the landing on the corner of the mat. Not only did you feel the talent in the song, you felt her pain so much so that, if she started sobbing towards the end of the song, you wouldn’t have been surprised.

This song was probably the best representation of her life at the time & not just because of the song title. As reported at the time, she was going through depression and battling with drugs and alcohol. I have this depressing theory about some musicians that the more chaotic their lives are, the better their art form. I wish it wasn’t the case, but I’ve seen this example too many times in history. The best example was Marvin Gaye back in the 70s when he made the, I Want You album. He was high most of the time. Gaye then made, Hear, My Dear after going through his divorce with his first wife. It’s like their pain becomes our listening pleasure through their work. It’s not a surprise that for all the accolades & the career she’s built, her albums after this were never better than My Life, because My Life was made during her darkest moments; which is completely unfortunate for her….. as a person. However, as an artist, with her pain channeled through her work, My Life became a gift to us as her fans and R&B in general.

Sidenote: Was there a remix for this? You bet your ass there was! Change up the lyrics, jack The What beat from Biggie Smalls, sprinkle in some Mr. Cheeks, and voila! You got a sweet remix that serves everyone well.

You Bring Me Joy

To keep with the theme of jacking beats and songs, we follow Sean “Puffy” Combs & the Hitmen in the getaway car while they load up the shotguns and prepare to jack poor Barry White for his production. I’m telling you, there wasn’t a more blatant beat stealer in the mid 90’s than Puffy. And unlike some producers who may take a piece here or there of a song, Puffy would just take every damn thing. If the original production was a chicken thigh, he ate everything off the bone, sucked out the bone marrow, & then chewed on the bone until the bone was collected into a small pile in the corner of his plate. He never shied away from that fact either. His theory was that once you heard those beats, it would automatically grab your attention. Plus, the original production worked before, so why wouldn’t it work again, right?  It was a smart way to market his artists, it was almost admirable. To me, 90’s Puffy will always be a cross between Robin Hood and Omar from the Wire. He came around in a trenchcoat & jacked 70’s & 80’s beats to provide musical pleasure to the masses. The only thing that was missing was the whistling before the start of every song.

To throw credit back to Puffy though, this particular beat and some of the other ones chosen for this album helped to make the songs timeless. When it comes to Mary, as depressed as she may have been during these times, she was also able to swing the emotion pendulum in the opposite direction. You may feel her pain in some of these songs, but you also felt her happiness, which is a hard thing to convey as a singer. Really hard. But you felt her joy in this song, and you can’t help but feel upbeat. On top of that, it was a staple on radio mixshows back then, and you can still play this song in the club right now to get the ladies feeling great. 

K. Murray Interlude

Interludes & skits are a 90’s thing that everyone used on their albums. Usually it’s a space filler to get enough material to make an album. Most are forgettable, others like Redman and Wu-Tang were classics. Bad Boy took it to another level by introducing the world to Biggie’s stroke game, Biggie’s sex stories (about how he um, “drops waste” on a chick), and the legendary Mad Rapper. Even though Mary wasn’t a part of Bad Boy, Puffy still provided the interlude influence anyway. No one remembers what the hell Keith Murray was saying, but most people I know wonder, what the hell beat is that?!?!? A few months later, we found out with “Who Shot Ya?, which at the time might have been one of the most ridiculous hip hop beats we ever heard. Who the hell would have thought that this beat eventually would be the start of one of the worst beefs in the history of music, a beef that led two A-level rappers (Biggie & Tupac) to die right before they reached the prime of their careers & altered many others? And again, this beat came from a R&B album?? That’s one hell of a 24-second warning shot. 

Be Happy    

Quick story: I’ll take you back to the summer of 2006. Mary J was performing at the Molson Amphitheatre here in Toronto. I was meeting some family members at the concert & was flying down the highway trying to get to the start of the concert so I wouldn’t miss out on her Be Happy performance. I ran into a crazy amount of traffic near the Lake Shore area due to construction. I started getting annoyed because even though I had no idea what the listings of her songs were gonna be, I just knew she was gonna perform that song early. After doing enough things on the road that would have gotten me pistol-whipped by police, I finally made it into the parking lot. As I met up with my family members who had my tickets, and we’re walking up the steps to the outdoor arena, I hear the long intro coming in, “DUH-DUH Dun-Nuh-Duh” over the speakers as the crowd starts going apeshit. SMH. I’m stuck in line waiting for security to tear my tickets, praying that Mary feels like a Reggae DJ at a soundclash & rewinds the song back ten times with the air horns. Nope. By the time I walked into the place, she was on to another song. Even though I enjoyed the rest of the concert, it still burns me that I missed her perform that song, especially considering that I’ve seen her live again since then & she didn’t perform Be Happy. F***.

I also wanted to see her perform that song because to be honest, it’s my favorite Mary song ever. Considering how many songs you can choose from her catalogue, that’s saying a lot. Some others on this list (“My Life” for starters) I put almost as high. Almost. You remember that old episode of Seinfeld where the guy Elaine’s dating goes into a trance and he can’t be disturbed by anyone (not even her) until his favorite song is finished? Well… okay, it’s not nearly that bad but it’s probably within the ballpark. If I’m by myself & that song comes on, there’s a pretty good chance I just zone out until the first chorus is over, I won’t even lie to you. The video itself was memorable only because of Mary standing on that rock overlooking the mountains. Unless it really was her stunt double doing it all this time and if so….. it’s understandable. What R&B singer is risking their lives for the sake of that song?

Sidenote: Was their a remix for this song? Why hell yes of course. New beat, same lyrics, throw Keith Murray in there to rap his 16 bars, and another hot remix is created. What artist is even dedicating this many remixes to their albums anymore??? Seriously? I’m asking. 

My Life

“Life can be only what you make it / When you’re feelin down you should never fake it / Say what’s on your mind / And you’ll find in time / That all the negative energy / It would all cease”

The album title track is the realest song on the album. It’s relateable to every and anyone going through hard times. To keep fighting, to keep believing in yourself, and to keep believing in God to get yourself through it. When you’re younger, sometimes you don’t appreciate the positive messages as much as you would when you get older, and as an adult, it rings truer to you. I never paid as much attention to it as I probably should have admittedly, just because I was lost in the melodic production of Roy Ayers…. I mean Puffy and Chucky Thompson. However, appreciating the song now, it stands as a stance against your obstacles taking you under. In 2014, we are still fighting against the mental issues as a society, although I think there is a better awareness about it now, as opposed to the mentality we had 20 years ago in terms of sweeping those problems under the  rug. On this record, you can see that advice Mary was giving to others and even herself, to basically keep fighting. In fact, I’ll let her tell it…

“I was ready to just check out,” she says now. “It was a moment—I can’t get into it—but I saw my life going and I was grabbing for it. I was like, ‘No, no, no, no, no.’ That’s when I realized that I don’t want to die. And I switched, and I started praying and crying, and my life shifted right there.”

Mary J to Billboard Magazine

The scary part of her situation is, not only do millions of people suffer through those same demons, but sometimes it’s the person right beside you that’s spiraling out of control and you have no idea. This is why it’s always important to communicate and to discuss your problems with someone when things are rocky. You never want to wait until it’s too late because when it gets too far, it’s almost impossible to come back from it. In some cases, you don’t. Which is why 20 years later a song like this can still register and resonate with many people.

Closing Thoughts

In my last post about TLC’s CrazySexyCool, I stated that they were the most relevant group of the 90s. Well, let’s just say that Mary is the most relevant R&B artist of an entire generation. I mean, Mary J is still selling out concerts & putting out quality music right now (see Think Like a Man Too Soundtrack). She may not go triple platinum whenever her album drops anymore like she did with My Life, but she has a loyal and huge fanbase that still allows her to put out material that they will respect. My Life wasn’t just an album that helped Mary J really break out as an artist, but as a listener, you literally felt it. It’s the greatest LP she ever made. Most great artists always have that one album that is their Picasso. Marvin Gaye had it with, What’s Going On?” and I Want You; Stevie Wonder had, “Songs In The Key of Life”; Michael Jackson had, Thriller; his sister Janet had, Rhythm Nation; and Janet, the list goes on and on. Some of those artists have that “It” album a few years into the game after they find their voice. Some others like Mary find that classic early into their careers. It’s scary to think she was only 23 when My Life was made. However, it never matters what age or at what point of your career it happens. Once it comes, you have to embrace it because very few artists ever achieve classic album status. It’s even harder to create another classic album once you get one under your belt.

Part of Mary’s legacy will be how she successfully connected Hip Hop & R&B together. The perfect example of this is when she hooked up with Method Man on the Ill Be There For You/You’re All I Need To Get By remixes in the Spring of ’95. Both versions of that remix were instant classics, and it catapulted Method Man further into the superstar stratosphere. After that, it has become a “Mama, I made it!” moment when rappers had a chance to not only work with her, but get a feature from her on their album. This My Life period was probably the highest peak of great R&B music as a whole. As the Hip Hop & R&B worlds blended together more and more since that album, the R&B industry became a little harder, and more edgier in some ways. It lost a lot of its soul and because of it, the R&B game overall has suffered. In no way does Mary carry any blame. Even if her production had a Hip Hop feel to it (especially early in her career), you always felt her soul no matter what. If the Golden Era of R&B was a mountain, My Life was the flag that was planted at its peak. We should celebrate that feat and then realize that we could only have come down from there. My question is, When is that renaissance period of R&B coming back? Two years from now? Five? Ten? Will I even like R&B anymore by then? I’ll say this: If more artists can capture the magic that this album had, I think you’ll know what my answer will be….

Cal Cee // South Shore Ave

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Golden Era: 20th Anniversary of TLC’s CrazySexyCool

We here at South Shore Ave are gassing up the DeLorean & taking you back to the musical Golden Era of 90’s music to celebrate the 20th Anniversary of one of the Greatest albums in R&B history. Twenty years from tomorrow, TLC fresh off the success of their debut album, released CrazySexyCool to the masses. Not only did it help raise the profile for R&B female groups as well as artists going forward, it became one of the highest selling albums in music history. As we celebrate CrazySexyCool, we break down the album and what it meant to the R&B genre. And so we Creep….

If It Wasn’t For That House Fire…..

I’m about to get my Sophia Petrillo on right now for the ones who don’t remember this story. Or Sophia Petrillo…..

Picture it. Atlanta, 1994. Back when the clay was red (well, still is), when Outkast was still the local act on their way up, when the Hawks decided to trade Dominique Wilkins for a bowl of grits and hamhocks (or in other words, for Danny Manning who left for Phoenix four months later) and where a weekend called Freaknik was as wild as you can even think of. The music was bumping, the rumps were shakened, & the sex was as wild and as free as it could get. It was like Black Woodstock, except they shut down the city and you could have sex just about anywhere. Either way, a lot of sperm lost, just a lot of sperm lost…..but I digress. Anyway, a young NFL player named Andre Rison & a young artist from an R&B group named, Lisa “Left Eye” Lopes, lived in Rison’s huge mansion together as a couple. One day after a huge physical fight between the two, Left Eye decided to get back at Rison by burning his sneakers in a bathtub.   Only, the fire sparked out of control & before she could blink, the whole house was on fire. Almost like a deleted scene from Waiting To Exhale, Left Eye literally burned her man’s house down in anger. To make this story even crazier, Rison still declared his love for her even after all his childhood mementos & personal belongings were burned to a crisp. Even though their love remained, that same love couldn’t shake the fact that she burned a house down & well, insurance companies and police departments are not so forgiving to people who make the decision to add arson to their portfolio.

I know what you’re thinking right now. What the f*** does this have to do with this album??? Well, A LOT actually!!!!!! Considering the legal ramifications of burning down a house that was started wilfully, Left Eye was sentenced to 5 years probation and was placed under house arrest. Well, not that house, but someone else’s house I’m sure. For that reason, she missed out on the opportunity to record the bulk of CrazySexyCool. In turn, because they didn’t have to accommodate the space for her verses for large chunks of the album, T-Boz & Chilli had to fill in her gaps. With them coming into their own as R&B artists, & as woman for that matter since the debut of their first album Ooooooh…..On the TLC Tip”, by happenstance the album had a more mature & smoother feel than their previous work. It had enough cool & swagger that catered to the younger generation (like mine at the time), but with songs like “Red Light Special”, and “If I was Your Girlfriend”, it was also able to appease their older audience and get the Quiet Storm radio love. Who knows what would have happened if Left Eye never set fire to some Nikes or doused the flames shortly after she set the blaze & walked away from the house. Would the album have been able to have that same feel with her rapping on 80% of the songs? Who knows? Honestly we’ll never know that for certain. What we do know for sure is due to the Left Eye-Rison argument/fight/fire & everything that ensued afterwards, it helped to create the most popular album the group has ever created, & cemented their status in the music industry as trailblazing superstars. No pun intended of course.

CrazySexyCool helped TLC to become the most relevant R&B Group of the 90s.

Think of how great their run was. They debuted in 1992 with their first album, sporting cross colored clothes and literally attaching condoms to themselves. I was a young teen when they came out & to this day, I still remember Chilli flirting & rubbing up on Arsenio Hall during their “Baby Baby Baby” performance. Boy did I want a piece of her back then……sorry, where was I? Oh yes. They had a major impact when they first jumped on the scene, then two years later releasing “Creep”, which completely took over the airwaves. By the time “Waterfalls” released & cratered the music industry a few months later, they were the biggest group in music, period. They were on every award show imaginable. They rode for the ladies & dominated the teenage girls demographic. Not only were the guys into their music, but it was a running conversation as to who you would sleep with between T-Boz, Chilli (mine), and Left Eye, kind of similar to the “Would you bone Rachel (mine) or Monica?” questions men had around that time. TLC locked down the clubs, the streets, most, if not all radio stations, and mainstream media. Considering they were the first female group to go Diamond (10 million+ albums sold) in the US alone, which is unheard of for most artists much less a black female group from Atlanta, the previous sentence shouldn’t be a surprise. The album was so huge they took a 4 1/2 year break between albums, & were still hot enough to end the decade making sure every lady wanted “No Scrubs” (and the men conversely yelling back “No Pigeons”) & that they loved themselves with “Unpretty” off of their Fanmail album. They left the 90’s as hot as they entered it by staying relevant with a whole generation that grew up with them from young teens to adults.

The only group that probably comes closest to them through the whole decade is Boyz II Men in terms of relevancy. They were powerhouses too, especially once they crossed over into the mainstream world with their ballads. Jodeci was an incredible group during the time that they were together, but by the end of the 90’s, K-Ci & JoJo Hailey had their own two-man group, singing songs that weren’t on the level of their Jodeci days.* SWV was hot for a good while, but they weren’t making any more material by the end of the decade. En Vogue had a long run as well starting from their “Hold On” debut song back in 1990, but definitely weren’t around by 1999. All these groups had classic material, but none of these groups had that one album that was as defining and as popular as CrazySexyCool. I’m not saying the albums from the other groups I mentioned weren’t as good. In fact, I’ll put Jodeci’s, Diary of a Mad Band, up against any R&B album that came out in the 90’s. This album helped TLC to sell more albums (40 million sold between their 3 albums worldwide, 23 million from CrazySexyCool alone) than any R&B group from their generation, & it wasn’t close.

* Have to mention this, but casting T-Boz as the fiancee/wife to Mr. Dalvin in the “Love You For Life” video was pure genius. It’s probably one of Jodeci’s most underappreciated classic songs, but having her play that role in the video gave the video & song an extra 25% in the coolness/swagger category (even if the group didn’t need it) and gave the video an official stamp of approval (again, even if the group didn’t need it). Even with the large, almost irrational amounts of hip hop my friends and I listened to &/or watched, you still watched that video from beginning to end. Well, that…. & let’s face it, it wasn’t like T-Boz was hard to look at either. Even if I still voted for Chilli.

The Top 5 songs from CrazySexyCool

5. Something Wicked This Way Comes

“Remember back in time when the only sign we had was pickets / But now in ’94 it be this way, something come wicked / G-angs killin’ others for colors / Thanks that we wear for fashion / Other brothers take it for a reason to be blastin’ / What the f*** is goin’ on?”

– Andre 3000

Why is this song in the top 5? Andre 3000 drops his verses on this track. Isn’t that enough? No? Ok, well I’ll also add that this is the most underrated song on the album. It’s the last song off of the album and quite frankly it’s also a great track to end the album with. Andre & T-Boz goes through the trials, tribulations, and obstacles of life, while Organize Noise produced a smooth song & lays the guitars down to give it that little bit of edge. This song normally isn’t discussed as much, because the remaining four songs on this list just eclipses this one in terms of popularity.

4. Diggin’ On You

Written and produced by the legendary Babyface, this song was made for radio. Can’t you imagine hearing this song while in your car around 1:30PM on some afternoon ride show, or better yet, the one black song that gets played every three hours on your local contemporary/easy rock station? It kinda fits the characteristics of one, with the song being about the beginnings of a relationship and having feelings for that person. The style of the song is easy & smooth, the chorus is melodic, it’s light on the bass, what more do you need? I can imagine the radio shock jock cutting into this song partway through the final chorus…..

“……….annnnnnnnnnnnd that was DIGGING-ON-YOU by T-L-C from their 1994 classic album Crazaaay Sexaaay AND Cool. Comingupnext with the Song of the Hour is Debbie Gibson with “Only In My Dreams“. Currently, it’s four degrees with flurries in the air, you better bundle up and dress warm while you ride with us ON 105.7FM Easy Riiiiiiiide….”

3. Red Light Special

This album’s official Quiet Storm-y song. This song was really made for guys in terms of letting us know what they wanted us to do to them & helping fulfill their “wants” & “needs”. At least that’s the interpretation that I got from it. So now when it comes to the video, why the hell do I see a bunch of dudes trying to rub up on Chili by a poker table and some dude with S-Curl juice sucking on T-Boz’s toes??? And worse, we have Left Eye dressed as a pimp & flipping over the poker table at the end? And why the hell are they even playing poker in the first place?? What does this have to do with a Red Light Special??? This is the definition of false advertising, or to keep in terms with this sexually suggestive song, a straight up cocktease. I’m sure the ladies would strongly disagree especially because Boris Kodjoe also plays the role of one of the male hoes (yes, I’m calling them that), but the last thing I was expecting to see when I heard this song was a bunch of glistening, oiled up dudes in boxer briefs trying to grind on T-Boz’s shoulders. It should have been more for us to watch than just Chilli dancing with the guitar player bottomless & her silk pajama top during the bridge. If there was any way to teleport TLC into 2014 & remake this video so that it could be “Worldstar Approved”, I would have flicked that switch yesterday.

2. Creep

The best record off of CrazySexyCool, plain and simple. As soon as you hear that trumpet come in, it’s a wrap. It’s the funkiest record that they have, and can still play in clubs today. This was a hot, hot record, and the video added more to the song. Looking back at it, the video wasn’t controversial or anything but back then, having them all dancing in silk pajamas for some reason was huge, and I know a lot of women who thought that video was iconic. Back then, the only thing my friends & I wanted to see was if one of their breasts would pop up from under those pajama tops. Hey, I didn’t say we weren’t morons.

As I said, this is the best song from this project in my mind. However, sometimes “the best” has to take a back seat to what is the “most important”…..

1. “Don’t go chasing waterfalls / Please stick to the rivers and the lakes that you’re used to / I know that you’re gonna have it your way or nothing at all / But I think you’re moving too fast”

– Waterfalls

……. & this song is the most important song not only for this album, but of their entire career. It took the group to a level that no one could fathom. The album was doing wonderful in terms of popularity and sales, but when this single was released, it took another life of its own. The song not only told a story from the eyes of a mother who tried to rein in & then eventually lose her son from the street life, but it had a message that spoke to the HIV/AIDS epidemic that was dominating our culture and society in the mid 90’s. The latter part of the song is what we all gravitated to the most.

We forget now just how large the epidemic was, but it was extremely polarizing to say the least. Most people were still so ignorant to the symptoms, how it was contracted, there was a general fear that people had about the disease. So when the video was released back in the summer of 1995, the second half of the song was as raw as it could get at the time without being graphic. It was groundbreaking not just in the fact that it was very socially conscious, but with TLC turning from water into themselves like superheroes and the Waterfall-choreographed dance routine, the whole five minutes looked like something that Michael Jackson or Janet Jackson would have done. The only songs that were as big as this was MJ’s “You Are Not Alone” and especially Coolio’s “Gangsta’s Paradise”. You can argue that it was my generation’s version of “What’s Going On?” or at the very least, it fell into that category with possibly a couple of others. There’s no question it was one of the biggest songs of that decade.

I personally think Creep is a better record musically, but it’s nowhere close to being as important, which is why Waterfalls gets the top spot.

Which Female Group in 2014 Can Be The Next TLC?

Hold on, lemme take a look and see……..


Hold on, I’m still searching ya’ll……….gimma a minute………..

……………..I think I found one……I think………..hold on……….

***still searching***

……….. F***. No one I guess. Well damn….

Let me take a nose dive into why we won’t see another TLC again, & honestly, it doesn’t have as much to do with the lack of talent out there. The game overall has changed in the music business & it doesn’t have to do with obvious signs like the talent pool that was overflowing in 1994, compared to the shallowness of it nowadays. The internet, and more specifically, social media has changed everything for better and for worse. It’s a lot easier to obtain music now as compared previously.  With all the various websites, you can obtain everything for free with just the click of a button. It has also transformed regular people into stars, who normally may not have gotten a look and/or glance from a record label. The bad part of it, is most labels are not developing artists anymore, but instead are looking for artists who have already established a movement on their own. So if someone has some songs on Youtube with a catchy dance, & has about 500,000 followers on their account, a label will be quicker to scoop them up & ride that gravy train instead of putting in the time and money to developing an artist. It’s the same decision that TV networks use in choosing to develop a reality show rather than actually creating a real show. It’s cheaper & cost effective. Moreover, dealing with female groups can be expensive. Not only do you have to deal with booking studio time & nurturing the talent, you have to deal with make-up, wardrobe, dance choreographers (depending on what kind of group it is), etc. For record labels these days, it’s easier to just avoid that unless the talent knocks their socks off.

As for the artists, albums don’t sell like they did 20 years ago. As I mentioned before, TLC sold 23 million copies of CrazySexyCool, but even a group like Boyz II Men, sold 9 million & 12 million from their first two albums respectively. Our generation bought product. We would rush down to the local HMV or Tower Records to buy the albums of our favorite artists, & the pre-buzz before an album was released was amazing, as you would have to anticipate the release of said album. Once the album matched the pre-buzz hype, you became a superstar in a lot of cases. In 2014, we consume music different. If our favourite artist is dropping an album, if it’s not being downloaded on something like iTunes, you’re just getting it bootlegged. Gone is that pre-buzz feeling of buying an album, which in a lot of ways had its value. Album sales in general have nose dived across the industry in the last 10 years. Few artists are selling platinum albums these days, & no one is going Diamond. It’s just not happening. So if you’re an aspiring musician, in the land of dwindling sales and 360-recording deals, does it make sense to join a group and split the profits 3-4 ways anymore? You may as well get all the money you can get if you have the talent, and there’s a better chance you’d accomplish more on your own.

So in 2014, would TLC even be around? There’s a better chance that T-Boz & Chilli would have their own solo careers, while Left Eye would be trading bars & hooks with Rick Ross and Meek Mill on MMG (Maybach Music Group) than there would be of TLC joining together to influence a generation. The only way I can see a female group be as huge as TLC was, is if Rihanna, Nick Minaj, and Elle Varner were to make a female super group and put a couple of albums out. They are all attractive & talented artists (& even if Varner isn’t as known as RiRi or Nicki, she can definitely sing) & at their ages right now, they could possibly have that kind of impact on today’s generation if that were to happen. But that’s a well thought out pipedream. Good luck trying to recreate this group. TLC will remain the most popular female group in R&B history, & this album will forever be at the center of their success.


Cal Cee // South Shore Ave

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