Tag Archives: Music

Podcast & Chill….. All Episodes of Season One of #TheStoop: A Mini(Podcast)-Series

#TheStoop: A Mini(Podcast)-Series.

Thanks for tuning into Season One of our summer Podcast series #TheStoop. I would like to thank everyone who participated to the podcast series in some way, shape, or form with their ideas, guest appearances, contributions, and inspiration. I would love to thank my guests on #TheStoop this summer, in order: Big Brother Curt, Team Canada’s Lizanne Murphy, Headley, Vidal Chavannes, Shawn A., DJ Chris Nice, & Soca artist Ricardo Drue. Thanks to all of you for coming through!

Here are all the episodes of #TheStoop from this summer:

Episode 1 – The Great Tim Duncan

Big Brother Curt joins me on the premiere episode as we discuss Tim Duncan’s career after he retired this summer, comparing his career to Kobe Bryant in a unique way, and reviewing his impact overall on the NBA. https://southshoreave.com/2016/07/25/thestoop-a-minipodcast-series/

Episode 2 – Team Canada’s Lizanne Murphy shoots for Gold

Lizanne Murphy from Team Canada’s Woman’s Olympic Basketball team sits with me as we discuss her basketball beginnings, the renaissance of Canadian Woman’s hoops, her fantasy BBall skills and her love of Soca music. https://southshoreave.com/2016/07/26/thestoop-team-canadas-lizanne-murphy-shoots-for-gold/

Episode 3 – The Caribana Rundown

A How-To guide to having a successful Caribana Weekend. https://southshoreave.com/2016/07/28/thestoop-the-caribana-rundown/

Episode 4 – Shitty Shoe War Stories

Friend of South Shore Ave Headley joins me on an extended version of the Podcast as we trade war stories of the childhood days when wearing no-named sneakers was a way of life, when we got our first named brand shoes, if it’s possible to put out a great shoe at a bargain price, plus more. https://southshoreave.com/2016/08/26/thestoop-shitty-shoe-war-stories/

Episode 5 – The Socially Responsible Athlete Discussion

DJ Chris Nice (Grooves & Rhythms Mixshow of MyLime Radio) & Vidal Chavannes (Educational Consultant) joins me to discuss the importance of socially conscious athletes using their voice & platforms, our thoughts on Colin Kaepernick’s stance, plus more. https://southshoreave.com/2016/09/09/thestoop-the-socially-responsible-athlete-discussion/

Episode 6 – The Power Recap Episode

Shawn Adonis & Headley join me on the podcast as we breakdown the Season Finale of Power, as well as Season 3 overall, predictions for Season 4, plus more. https://southshoreave.com/2016/10/06/thestoop-the-power-recap-episode/

Episode 7 – The Ricardo Drue Interview

Soca Sensation Ricardo Drue joins us on the Season Finale as he discusses his musical path, the evolution of Soca music & where he sees it headed, the Impact of “Vagabond”,  how his song ended up on DJ Khaled’s “Nas Album Done” video/mini movie, plus more. https://southshoreave.com/2016/10/07/thestoop-the-ricardo-drue-interview/

*** Thanks for tuning in as always. Download current and past episodes and don’t forget to subscribe to the podcast and the blog below. ***

Podcast & Chill….. #PodcastandChill

 

Cal Cee // South Shore Ave

To subscribe to South Shore Ave, click onto the Follow button, and enter your email address, or click onto the RSS Feed. Very special thanks to all of you for lending me your ears.

#TheStoop: The Ricardo Drue Interview

Today on the season finale of #TheStoop: A Mini(Podcast) Series, Soca sensation Ricardo Drue joins myself & DJ Chris Nice as he discusses his path as a musician, the evolution of Soca Music, where he sees the genre going & how he plans to leave his mark, how his major hit “Vagabond” ended up on DJ Khaled’s latest music video, plus more.

*** Thanks for tuning in, and don’t forget to subscribe to the podcast and the blog below, and also, the podcasts are available for download. ***

#TheStoop: A Mini(Podcast)-Series // The Ricardo Drue Interview

 

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Cal Cee // South Shore Ave

To subscribe to South Shore Ave, click onto the Follow button, and enter your email address, or click onto the RSS Feed. Very special thanks to Ricardo Drue & DJ Chris Nice for their guest appearance on this podcast.

The Ave Podcast with Cal Cee – The Playoffs & The Trap

The Ave Podcast with Cal Cee. Episode 3: The Playoffs & The Trap

Welcome once again to The Ave Podcast. For Part I, we welcome O’Niel Kamaka (St. Mary’s College alumnist, Northen Kings AAU Basketball Coach), as we discuss our thoughts on the players who has both impressed & disappointed us from the 1st round of the NBA playoffs; recap our thoughts from the Pacers-Raptors series; & if San Antonio becomes the favorite to win it all with Steph Curry’s injuries mounting.

For Part II, we welcome our guest and past contributor Shawn Adonis (The Notorious B.I.G’s Ready to Die , Raekwon’s Only Built For Cuban Linx….., and a #FlashbackFriday Video discussion on Kardinal Offishall’s “Bakardi Slang”), as we discuss the phenomenon of Desiigner’s Panda, the dominance of Trap music, how the internet era has altered the balance of today’s Hip Hop music.

As always, thanks for tuning in. For you newcomers, don’t forget to subscribe to the podcast and the blog below….

The Ave Podcast with Cal Cee // Episode 3 – PART I “The Playoffs”

 

PART II “The Trap”

 

Cal Cee // South Shore Ave

To subscribe to The Baseline Blog, click onto the Follow button or by entering your email address. Very special thanks to O’Niel Kamaka & Shawn Adonis for their guest appearances on this podcast.

#FlashbackFridayVideos: Kanye West’s “Jesus Walks”

Ok, here’s the thing…..

……each and every last Friday of each month, we were supposed to be posting #FlashbackFridayVideos, a segment focusing on classic music videos, classic sports games and general signature pop culture moments from back in the day. While the spirit is there, I’ve changed the parameters a little. We will post at least one of these segments, once a month instead of the 4th Friday of each month. So in case the spirit hits me (or us when I tag-team the segment with someone), I don’t want to have to wait until the end of each month to post it. We’ll still have quick rundowns and explore all the angles that come to our minds on each video when it comes to sports moments and videos, cool? Cool. Phew! Now that we got that out the way, let’s walk with Jesus….

Before the spazzing-out episodes about getting deeper into the clothing industry, before the paparrazzi, before the Kardashians, the Yeezy kicks, the Adidas deal, even before Katrina, we had “College Dropout” Kanye. This version of Kanye used his first album to bring out some of the fallacies and pressures of college life, which was completely different from anything that was heard from Roc-A-Fella Records. He sounded different, looked different, dressed different, and acted different. This was a dude that would show up on the scene in a pink polo shirt, a blazer, and a backpack (usually Louis Vitton-affiliated, but still). He was as “clean cut” a rapper, as you were going to get out of the Roc. Kanye didn’t have a drug dealing background like Jay-Z, wasn’t from the Marcy projects like Memphis Bleek, wasn’t a Broad St. Bully like Beanie Sigal (who was the first rapper to use Kanye’s production), wasn’t about the grimy life like Freeway, and wasn’t hustling until the sun came up like State Property’s persona. For all intended purposes, Kanye seemed like a regular (if not cocky) guy that happened to be able to rap and produce. He had insecurities, flaws, & even if he loved to floss, he wasn’t afraid to deal with his issues in his raps. Then on the production side of things, he was building a catalogue that was helping to change the landscape of Hip Hop. Between him and Just Blaze, their production helped to extend the life of the Roc and even Hov in particular, in the early 2000’s.

Once Kanye stepped out, started rapping not with his labelmates, but with guys like Talib Kweli, Yaasin Bay (forever known as Mos Def), Common and Twista, & they co-signed his rhyming skills, he started to become official. He put out the videos to, Through the Wire” & All Falls Down”, but had a song bubbling on the low that was going to change everything in his career up to that point……

“Jesus Walks”, even at that time, was not only one of the most original songs that Roc-A-Fella ever put out, but was one of the more original records that we ever heard from an artist. We never saw someone talk about Jesus as blatantly as Kanye did in Hip Hop. It was thought-provoking, it sounded dope, it shed light on his relationship with the Lord without sounding preachy, it sounded dope, it was hella-artistic, and again, it sounded dope. A Hip Hop record speaking about religious beliefs doesn’t work unless it aces the test sonically. Let’s face it, people may love the Lord, but the masses don’t want to hear about it in 16 bars or more over a boom-bap beat. If that was the case, the Christian rap game would be huge right now. It’s probably one of the reasons why we haven’t heard a song like this since. With that said, this song & video represented the best examples of Kanye as an artist & where he was headed. In the video, he touches on many different kinds of people in different scenarios struggling through their lot in life. The white supremacist/clan member cutting down a tree to carve out a cross; the prisoners in a chain gang; the drug dealers fleeing from the feds with the stripper in the backseat; and the disenfranchised youth skipping, all share the common denominator that the Lord walks with them through thick & thin.

He represented all different facets, while showing his greatest strength, which is to never fear the opportunity to veer left when everyone is heading right. He wasn’t afraid to promote his message (he put out THREE different videos for Jesus Walks for goodness sakes!), wasn’t fearful of challenging the status quo (“So here go my single dog, radio needs this / they say you can rap about anything except for Jesus / That means guns, sex, lies, videotape / But If I talk about God my record won’t get played, huh?”), & it was expensive as hell (1st & 2nd versions costs $1.5M combined). No one in Hip Hop would have dared tried to make this song, much less his labelmates. They might have tried to sautée their Roc-A-Fella chains, & eat it with some pasta before they’d cut a record like this.

It’s a shame though, because personally, I miss “College Dropout” Yeezy. Someone who made his own soulful beats, shared his experiences of his college days & his desires of making it big (even if he was already at the time), & also shockingly holding his own with some of the heavyweight rappers that guest appeared on his album. This album dropped around the time my friends & I were still in University ourselves, so for a lot of us, this album was our personal soundtrack. Shit, one of my boys even had a customized Jesus Walks Blazer back when wearing a Blazer &/or Button-up with a fitted cap was the way to go. Like many of us that have moved on and matured from those days, Kanye has graduated from his talents back then, to be one of the biggest superstars the genre has seen to this day. So much so, that outside of Jesus Walks, he barely performs any of the tracks off the College Dropout in concerts or other live events. Considering some of the controversies that we’ve seen from him since this song dropped (his mom’s passing, fighting the ‘razzi, “Imma let you finish”, etc.), maybe this song was a prophetic affirmation that HE would continue to walk with him through all his trials & tribulations (self-inflicted or not). I mean, how else do you explain the fact that he still remains so hot to the masses, with all of his public missteps and large portions of the public hating his guts because of it? He still hasn’t cracked yet, and doesn’t seem to be slowing down. Maybe in some way, this song is the one from his debut album that is still relative to his life nowadays, who knows really. All we know is that a song about God sent him on his way. Considering how dark Hip Hop can sometimes get, that’s probably an underrated blessing in itself.

 

Cal Cee // South Shore Ave

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A Blurred Line

I feel as though I have to throw in my observation of Robin Thicke, especially in light of the fact that he & Pharrell had to give up $7.3M to Marvin Gaye’s estate. Can you remember a time where a song provided an artist with his greatest triumph & his worst nightmares all in one fell swoop like this? Blurred Lines has become Robin’s Gift and his Curse. I want to insert you, the reader, in Thicke’s shoes for a moment.

You’re the son of a famous 80’s actor who stepped out into a different avenue altogether to become an R&B singer. You marry your high school sweetheart (the beautiful Paula Patton) whose dream is to become an actress. Together you both embark upon a journey to make it in your respective fields. Your wife starts to acquire great roles that help her become somewhat of a movie star, acting alongside a variety of people, from Andre 3000 & Big Boi (Idlewild) to Denzel Washington (Deja Vu). You break into the R&B market as a white soul singer; casts your wife as your leading lady in your video “Lost Without You” which wins the approval and hearts of women everywhere. Your buzz starts to grow bigger. You do a couple of collabos with Lil’ Wayne, and put out a couple more hot singles & albums, & the black community continues to appreciate your work even further. You’ve basically become this generation’s Jon B. Everything goes a step further when you accept a role on your friend, Kevin Hart’s mock-reality TV show, “The Real Husbands of Hollywood.” Nobody sees the potential you have to hang with the other actors & comedians on the set. Not only do you hold your own, but you become one of the most favorite and memorable characters of Season 1.  On top of that, the frenemy dynamic with Kevin Hart at times takes the show to an whole other level than we ever imagined. The episode where you get so angry at Kevin for stealing your “Lost Without You” song and video, all the while continuing to make comments of him wanting to steal your wife, & instead of turning into The Hulk, turns into a big, buffed out angry Black man, is probably one of the funniest things seen on TV since The Chappelle Show. Even though your career has been pretty successful thus far, you still haven’t had that major hit that maybe one day would take you over the top.

Then Blurred Lines entered your life.

You collaborate with Pharrell & T.I., making a fun party record, sounding like everyone is having a good time while its being recorded. It’s a record that brought a different sound than what you would normally record. The song sounds great & you figure this could be the early-bird type of single that can start generating a buzz for your new album in the future. You release it, and within weeks, the buzz starts to mushroom. It takes over all the important music charts in the U.S., then Canada., then London, Spain, Italy, China, etc. It has not only become one of the hottest records in the world at the moment, but it might be the best R&B song that came out this decade. Every man, woman, and child, every race, every young teen demo, every senior citizen demo, and everyone in between LOVES your song. And just like that, you’ve finally obtained your major smash hit, and you’ve turned into a superstar.

Would you like to come back for Season 2 of RHOH? “Uhhhh, no thanks!”

Would you like to do exclusive interviews with people like Oprah Winfrey? “Uhhh, you mawfuckin’ riiiight!”

You went from watching these big time music award shows to now you and your wife are sitting front row, and you’re one of the performers the world tunes it to watch. It reaches its full apex when Miley Cyrus brings you on stage to perform Blurred Lines on the VMAs & decides to “Twerk” on you (if you want to call it that) while rubbing your genitals with a foam finger. The whole world goes “Andre is off his meds again” crazy…. & you’re just riding the tidal wave of fame and success. Now women (who know you have a beautiful wife at home) are throwing themselves, their bras, and their panties at your every step in every part of the world. Man, it’s getting hard to turn all this down. You start getting a lil’ handsy & comfortable at some of these after parties & the social media agents start taking & sending pictures. The wife who’s nowhere near you, keeps hearing these rumors and seeing these images & starts to flip out.

Now, no one really knows for sure what really happened between you & your wife, whether you cheated on her or not, but now your marriage is getting more blurry than your eyes after going hard in bottle service. Your wife, your friend & someone who’s been there for you for almost twenty years is about to leave. The one song that you’ve been waiting for your whole career is now cracking at your foundation. You start to panic. You start rushing an album basically begging your wife to come back….

*** Cue the Announcer **** 

“And that’s when ‘Keeping it Real’ goes wrong”

Let’s step out of his shoes for one second…..

What Robin Thicke did was a huge no-no as an R&B male singer. The demographic who support his craft (i.e. Women between the ages of 18-40) want to always feel like he’s singing to or about them, not someone else. It doesn’t matter if he’s married or not. Even if the material he’s singing about is about his wife, it has to be done in a way that feels like it could easily be about them too. Usher’s, Here I Stand” album was a peek into his progress as a husband, a father, and a family man……but no one was trying to hear about his stable family unit after Confessions.” That album was fun, drama-filled, and salacious, mixed with great production. It’s probably not a coincidence that he released “Papers” as his first track once the “Here I Stand” album cycle ran its course. He still wanted to air out his business, but to also pick momentum back up from where he left “Confessions.” It’s a slightly twisted view, sure, but it’s a reality. Once an artist reaches that high, no one wants to see them seem weak, especially immediately after that life-changing success of a song/album. Even if they just want their wife back. If it comes off looking desperate while doing it, it’s even worse. What does desperation & ignoring the fantasies of your fan base look like when you mix them together?

Look at him. Head down, all somber, looking like he’s going to weep as soon as he’s off-camera with all the colors following him like the trail of a wedding dress. I’m sure his management team must have spent weeks double-fisting bottles of Hennessey and Grey Goose. After all the goodwill Robin collected in the last 15 months, he basically punted it all away with a “Baby, Baby please!” album to your estranged wife (with her name on it to make sure there’s no mistake who it’s about) and their eroding relationship that’s been in the news for months, & essentially putting his shit-stained boxers dirty laundry all over the boulevard for the neighbors to see. He should be getting paid by Jerry Jones, not Jimmy Iovine.

Ok, let’s step back into his shoes again…..

Predictably, you release “Get Her Back” off of your dedication album. Surprisingly, it doesn’t go over so well. You then release “Paula”, and your album tanks hard (24,000 1st week sales) officially killing any leftover momentum of “Blurred Lines.” The fame from this song has started to become the bane of your existence. If this wasn’t bad enough, along comes the Gaye family with claims that your biggest song sounds a lot like their Father’s biggest song, & since you didn’t get proper permission, you “Got to Give It Up” to the estate. It doesn’t matter if you were influenced by the man and/or the legendary song itself, the family wants their money, their cut, and for you to never perform the song again. You try to fight it out in court, but eventually you lose the case (that you’re trying to appeal). Within the same time frame that your divorce is settled, you now have to kick out $7.3M, a number so startling that you start flirting with the idea of calling your Dad & Kirk Cameron to get together and do a remake of Growing Pains just to recoup the lost monies.

Now that you have some perspective & have taken a look back at your career leading up to  Blurred Lines, the incredible peaks that the song took your career to, the depressing valleys you slid down into that sacrificed your family, putting “Paula Patton” back on the market again, and your career is now as hot as an ice bucket challenge……

……. If you had the chance to do the Blurred Line experience over again, don’t you have to have yes?

**** Removing shoes ****

In any facet of life, how do you know how far you can go, and how far you can stretch your talents and abilities to unless you reach for the ceiling? Once you do, you have to deal with the hurdles, obstacles, &/or temptations that may come with that success sometimes, and then deal with them accordingly. Once this opportunity came and Blurred Lines became what it became, Robin had to exhaust all ways to maximize on it. Could Robin have better handled the success that came with the biggest song of his career? Sure. Could he have maybe cleared it somehow with the Gaye estate just to make absolute sure he had no issues going forward? Yes. Hindsight always comes with perfect vision, and everyone can master his moves after the fact, but as long as you understand that it would be a complete disservice to his career had he not gone through his Blurred experience. He could have continued on with his career hitting doubles and singles like some average light-hitting baseball player & stayed where he was. If that was as far as he wanted to take things, then fine. But what if he knew he could hit that home run? Once he got the right pitch (song) and he know it could be knocked out of the park, doesn’t he have to swing for it, knowing that he’s going to run on the bases of temptation, vices, and pressures before he reaches home? It’s the gift and the curse of success…. and it doesn’t always come with a blueprint to navigate through it. It might be a shame what happened to Robin after that song came and went, but unfortunately that’s the price that comes with taking that bat off your shoulders. Knowing how to jog on the bases sometimes is just as important as taking the swing, so it will be interesting to see how he bounces back from everything moving forward.

 

Cal Cee // South Shore Ave

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#FlashbackFridayVideos: Kardinal Offishall’s “Bakardi Slang”

Each and every last Friday of each month, we here at South Shore Ave will be releasing  #FlashbackFridayVideos, a segment focusing on music videos from back in the day, to something semi-recent (like a few months ago), & every once in a while, we might review a classic game or sports moment. We’ll have quick overall rundown on what was hot about them, how it helped moved its culture along, the ridiculousness of the videos, and everything else in between.

In our first monthly installment of #FlashbackFridayVideos, Shawn Adonis and I, will take you back to a pre-Drake Toronto where one of the signature artists from the T.Dot educated us on the city’s slang.

Cee: Before Drake & the OVO Team, there was The Circle led by Kardinal Offishall, Choclair, and Saukrates. These guys (along with help from The Rascalz) changed hip hop in Canada, taking it to higher level of respectability, and let’s face it, put out some good quality music (Northern Touch anyone?). When Kardinal dropped “Bakardi Slang“, at the time, it was one of the biggest Canadian hip hop tracks to hit the market & actually gain notoriety outside of this country. This song became Toronto’s version of Big L’s “Ebonics“, giving everyone outside of the Toronto a peek into the West Indian cultural pot that’s been simmering in this city for decades.

For me, as a Canadian who lived & breathed hip hop, I kinda wish this song came out a few years before, when I just moved to Toronto. Believe me when I tell you Shawn, when I moved here, I couldn’t really understand what anyone was saying. They may as well have been speaking Mandarin. You know when someone’s speaking to you in a different language & all you do is smile and nod? That was me the first two years here. In fact, I used to come home from school & with my cousin Brian, we used to try to break down what we learned in T-Dot ebonics like a periodics table. The only thing we were missing was the lab coats & the goggles around our necks. If this song dropped 3-4 years beforehand, I could have at least printed it out & kept the shit in my pocket anytime someone started speaking to me. I could have referred to it like a thesarus. How didn’t I get jacked for my lunch money more often?

Shawn: I hear you Cal, that T Dot slang did leave me scratching my head on a few occasions. When you’d be talking to one of the “gyal dem”, and you’d feel like a total square for not being able to participate in the slang-extravaganza.  The most I could offer to the conversation was a strategical placed “Guy” every few sentences (which Kardinal conveniently left out of the song. Go figure…), as I’d think, “She must think I’m cool, she’s clearly a girl and I’m calling her ‘Guy’. My act of deception is working perfectly”.

You know, thinking about it now, it’s a shame that Kardi didn’t come out with this song in today’s day and age.  He could have packaged the song with a “Bakardi Slang Translator App”, and gotten the honorable mayor Rob Ford to endorse it at the height of his infamous late night drunken patois rants.  You couldn’t dream of better promotion than that, it would be flying out the App Store. Think of how much easier this would make the lives of old white sugar daddies dying to spend their money to get a lil’ taste of chocolate,  and how ground breaking this would be for young gold digging sisters, no?

Cee: That translator app would be awesome. You think the commercial for the app would look as professional as the Game of War App game with Kate Upton in it, or would the quality be more cheesy like the Shamwow guy?

Speaking of “Guy”*, here’s another word he left out: Arms. This was the most confusing word I ever heard by far. It’s basically the equivalent of saying, “That’s messed up”. However, no one ever said that. They’d always say, “That’s arms!” or “That’s arms house!” (which always sounded like “Arms-Zus”) or simply “Arms!!”. During that period when I’d basically black out & start depending on my smile & nod defense mechanisms, in my head, I would have a mental interrogation about what that word meant. I’d be like, “Arms? Arms?? That’s arms??? Who’s arms?????……. ***thinking*** ….. My arms???? The fu**?!?!” If someone took a good look at me at that moment, you could probably see the faint smoke coming out of my ears trying to hold it all together. I even had to bring in my brother-in-law (who’s Jamaican) in on the case & the most he came up with was that it’s supposed to mean “House of Arms (Guns & ammo)”, but was still confused as to why it was used this way. That word still gives me a twitch to this day.

We forget now, but that song back then was huge in Toronto, and Canada overall. I remember it being on heavy rotation, you literally heard it everywhere. The video back then represented Toronto properly, showing off the requisite local stars, the Circle crew (ie. Saukrates), took you through some of the popular areas and streets, Kardi basically checked off a lot of boxes here. In the era where rappers were still proud to sound different from one another, he made a regional song that helped The North get even more awareness to the masses, similar to what the south was doing (especially in New Orleans. See No Limit & Cash Money records). Choclair was the first from The Circle to cross over to the Stateside, now Kardi was next in line. You were rooting for them to make it & put Canada on the map in hip hop just like Vince Carter did for basketball. The buzz from this song eventually made it across the border, & next thing you know 106 & Park was going to launch the video. This was the official “N**** We Made it!!” moment……

…….until AJ & Free stomped out the buzz by calling Kardinal “The Canadian Puffy” after they played the video. It was like hearing fingernails being dragged across a blackboard, but if the fingernails were connected to a microphone & was being scratched over a loud speaker. Listen, Puffy is a GREAT businessman. You may want to be compared to Puffy in a lot of ways. As an executive, an owner, a spokesperson, a marketer, a tastemaker, a baller…..but never a rapper. Not especially if you’re a legitimate one. It’s not like we got our hip hop knowledge from AJ & Free anyway, they weren’t exactly The Source or XXL. Nevertheless, they still had a huge platform, & to be more or less categorized with a guy who would tell you firsthand he’s not a rapper….. I mean, I can’t say for certain if it hurt his record sales in the States, but I’m sure it didn’t help. The only reason why there wasn’t more flack about this (at least from me) was…..well, Free wasn’t exactly hard on the eyes, and I enjoyed watching her, um, host the show (yeah, that’s it) on a daily basis. So for that they got a pass as a whole. But it still wasn’t the greatest of looks in Kardi’s sake.

Shawn: You know, they say that the true measure of a man is his ability to admit when he has made a mistake (According to an inspirational quote I read on a Facebook page, where the profile pic was a chick wearing just enough clothing so that her page doesn’t get shut down….. so basically a very reliable source).  With that said, Cal my good man, it pains me to admit that I may have not been giving the T-Dot slang innovators the full credit they deserve. I’ve said for years that young black Torontonians simply sprinkled bits and pieces of Jamaican patois into their conversations, and tried to pass off as their own lingo, like nobody would notice (which I think is still true 90% of the time).  But this whole use of the word “arms” has me completely flabbergasted.  You and your brother-in-law already spent enough time drinking coffee and chain smoking while you exchange theories, so I’m not gonna spend any more energy on it, that mystery is unsolvable.

After all this time has passed, and the members of the Circle have fallen from the limelight (Did I say fallen? I meant skydived, hit the ground, then put on a wet suit & oxygen mask to continue to descend to the bottom of the sea. Basically as far from the limelight as humanly possible), it’s easy to forget what kind of impact these guys, especially Kardi, had on Canadian hip hop fans as a whole.  Let’s be honest Cee, Canadian rap fans are generally US hip hop dick riders.  A club could be packed with dancing party goers until the DJ threw on some Canadian hip hop, and the crowd would suddenly look like they were waiting in line at the license bureau.  But with Kardi, it was different.  Dudes would drive down the block with the window rolled down and bump tunes from him and The Circle with pride.  I even copped Kardi’s first album (which was the first & last Canadian hip hop album I’ve ever bought. Sorry Drake, I’m a fan but thanks to the internet I can be one for free).  But that Kardi album was legit, that shit was certifiably & undeniably dope.  Call me a product of my “self hip hop hating” environment, but nothing would have made me happier than to say that slang translating rapper was trash…. but the dude was really talented, and forced you to enjoy the music for what it was.  Like you mentioned Cal, the fact that the Americans embraced it actually made us feel like we all made it. Of course to show our gratitude, we turned our backs on him as soon as he became lukewarm, in true Canadian fashion.

Cee: Man….. tell us how you really feel. I feel like I should send you a Hugagram, but upgrade it to the premium package where people group hug you for like 15-20 minutes straight while humming gospel hymns and everyone in the room fights back tears. Like Luscious said to his son in Empire this week (I’m paraphrasing here), it’s your music that’ll live on forever above all else….. & this song/video was evidence of the path that Kardi was taking towards making his mark on Canadian Hip Hop history. The song was innovative, and it shed light on the talent that Toronto (& this country for that matter) has. Bacardi Slang made an impact, otherwise, we wouldn’t be having this #FlashbackFriday moment…..still.

*“Guy” Translation: It’s like using “Yo” at the beginning of the sentence in slang speak. For example, “Guy, you won’t believe what happened to Mikey today”. Or you can use it as a statement if or when someone says something that you agree with. For example: “Did you see that game last night? Yo that shit was crazy!” Then all you have to say is, “GUUUY!” & everything’s understood. I’ve also added the lyrical meanings of this song off of Rap Genius here, so you should be at least 80% more educated on Toronto slang. I hope.

 

Cal Cee // South Shore Ave

To subscribe to The Baseline Blog, click onto the Follow button or by entering your email address. Very special thanks to Shawn Adonis for his contributions to this posting.

Golden Era: 20th Anniversary of TLC’s CrazySexyCool

We here at South Shore Ave are gassing up the DeLorean & taking you back to the musical Golden Era of 90’s music to celebrate the 20th Anniversary of one of the Greatest albums in R&B history. Twenty years from tomorrow, TLC fresh off the success of their debut album, released CrazySexyCool to the masses. Not only did it help raise the profile for R&B female groups as well as artists going forward, it became one of the highest selling albums in music history. As we celebrate CrazySexyCool, we break down the album and what it meant to the R&B genre. And so we Creep….

If It Wasn’t For That House Fire…..

I’m about to get my Sophia Petrillo on right now for the ones who don’t remember this story. Or Sophia Petrillo…..

Picture it. Atlanta, 1994. Back when the clay was red (well, still is), when Outkast was still the local act on their way up, when the Hawks decided to trade Dominique Wilkins for a bowl of grits and hamhocks (or in other words, for Danny Manning who left for Phoenix four months later) and where a weekend called Freaknik was as wild as you can even think of. The music was bumping, the rumps were shakened, & the sex was as wild and as free as it could get. It was like Black Woodstock, except they shut down the city and you could have sex just about anywhere. Either way, a lot of sperm lost, just a lot of sperm lost…..but I digress. Anyway, a young NFL player named Andre Rison & a young artist from an R&B group named, Lisa “Left Eye” Lopes, lived in Rison’s huge mansion together as a couple. One day after a huge physical fight between the two, Left Eye decided to get back at Rison by burning his sneakers in a bathtub.   Only, the fire sparked out of control & before she could blink, the whole house was on fire. Almost like a deleted scene from Waiting To Exhale, Left Eye literally burned her man’s house down in anger. To make this story even crazier, Rison still declared his love for her even after all his childhood mementos & personal belongings were burned to a crisp. Even though their love remained, that same love couldn’t shake the fact that she burned a house down & well, insurance companies and police departments are not so forgiving to people who make the decision to add arson to their portfolio.

I know what you’re thinking right now. What the f*** does this have to do with this album??? Well, A LOT actually!!!!!! Considering the legal ramifications of burning down a house that was started wilfully, Left Eye was sentenced to 5 years probation and was placed under house arrest. Well, not that house, but someone else’s house I’m sure. For that reason, she missed out on the opportunity to record the bulk of CrazySexyCool. In turn, because they didn’t have to accommodate the space for her verses for large chunks of the album, T-Boz & Chilli had to fill in her gaps. With them coming into their own as R&B artists, & as woman for that matter since the debut of their first album Ooooooh…..On the TLC Tip”, by happenstance the album had a more mature & smoother feel than their previous work. It had enough cool & swagger that catered to the younger generation (like mine at the time), but with songs like “Red Light Special”, and “If I was Your Girlfriend”, it was also able to appease their older audience and get the Quiet Storm radio love. Who knows what would have happened if Left Eye never set fire to some Nikes or doused the flames shortly after she set the blaze & walked away from the house. Would the album have been able to have that same feel with her rapping on 80% of the songs? Who knows? Honestly we’ll never know that for certain. What we do know for sure is due to the Left Eye-Rison argument/fight/fire & everything that ensued afterwards, it helped to create the most popular album the group has ever created, & cemented their status in the music industry as trailblazing superstars. No pun intended of course.

CrazySexyCool helped TLC to become the most relevant R&B Group of the 90s.

Think of how great their run was. They debuted in 1992 with their first album, sporting cross colored clothes and literally attaching condoms to themselves. I was a young teen when they came out & to this day, I still remember Chilli flirting & rubbing up on Arsenio Hall during their “Baby Baby Baby” performance. Boy did I want a piece of her back then……sorry, where was I? Oh yes. They had a major impact when they first jumped on the scene, then two years later releasing “Creep”, which completely took over the airwaves. By the time “Waterfalls” released & cratered the music industry a few months later, they were the biggest group in music, period. They were on every award show imaginable. They rode for the ladies & dominated the teenage girls demographic. Not only were the guys into their music, but it was a running conversation as to who you would sleep with between T-Boz, Chilli (mine), and Left Eye, kind of similar to the “Would you bone Rachel (mine) or Monica?” questions men had around that time. TLC locked down the clubs, the streets, most, if not all radio stations, and mainstream media. Considering they were the first female group to go Diamond (10 million+ albums sold) in the US alone, which is unheard of for most artists much less a black female group from Atlanta, the previous sentence shouldn’t be a surprise. The album was so huge they took a 4 1/2 year break between albums, & were still hot enough to end the decade making sure every lady wanted “No Scrubs” (and the men conversely yelling back “No Pigeons”) & that they loved themselves with “Unpretty” off of their Fanmail album. They left the 90’s as hot as they entered it by staying relevant with a whole generation that grew up with them from young teens to adults.

The only group that probably comes closest to them through the whole decade is Boyz II Men in terms of relevancy. They were powerhouses too, especially once they crossed over into the mainstream world with their ballads. Jodeci was an incredible group during the time that they were together, but by the end of the 90’s, K-Ci & JoJo Hailey had their own two-man group, singing songs that weren’t on the level of their Jodeci days.* SWV was hot for a good while, but they weren’t making any more material by the end of the decade. En Vogue had a long run as well starting from their “Hold On” debut song back in 1990, but definitely weren’t around by 1999. All these groups had classic material, but none of these groups had that one album that was as defining and as popular as CrazySexyCool. I’m not saying the albums from the other groups I mentioned weren’t as good. In fact, I’ll put Jodeci’s, Diary of a Mad Band, up against any R&B album that came out in the 90’s. This album helped TLC to sell more albums (40 million sold between their 3 albums worldwide, 23 million from CrazySexyCool alone) than any R&B group from their generation, & it wasn’t close.

* Have to mention this, but casting T-Boz as the fiancee/wife to Mr. Dalvin in the “Love You For Life” video was pure genius. It’s probably one of Jodeci’s most underappreciated classic songs, but having her play that role in the video gave the video & song an extra 25% in the coolness/swagger category (even if the group didn’t need it) and gave the video an official stamp of approval (again, even if the group didn’t need it). Even with the large, almost irrational amounts of hip hop my friends and I listened to &/or watched, you still watched that video from beginning to end. Well, that…. & let’s face it, it wasn’t like T-Boz was hard to look at either. Even if I still voted for Chilli.

The Top 5 songs from CrazySexyCool

5. Something Wicked This Way Comes

“Remember back in time when the only sign we had was pickets / But now in ’94 it be this way, something come wicked / G-angs killin’ others for colors / Thanks that we wear for fashion / Other brothers take it for a reason to be blastin’ / What the f*** is goin’ on?”

– Andre 3000

Why is this song in the top 5? Andre 3000 drops his verses on this track. Isn’t that enough? No? Ok, well I’ll also add that this is the most underrated song on the album. It’s the last song off of the album and quite frankly it’s also a great track to end the album with. Andre & T-Boz goes through the trials, tribulations, and obstacles of life, while Organize Noise produced a smooth song & lays the guitars down to give it that little bit of edge. This song normally isn’t discussed as much, because the remaining four songs on this list just eclipses this one in terms of popularity.

4. Diggin’ On You

Written and produced by the legendary Babyface, this song was made for radio. Can’t you imagine hearing this song while in your car around 1:30PM on some afternoon ride show, or better yet, the one black song that gets played every three hours on your local contemporary/easy rock station? It kinda fits the characteristics of one, with the song being about the beginnings of a relationship and having feelings for that person. The style of the song is easy & smooth, the chorus is melodic, it’s light on the bass, what more do you need? I can imagine the radio shock jock cutting into this song partway through the final chorus…..

“……….annnnnnnnnnnnd that was DIGGING-ON-YOU by T-L-C from their 1994 classic album Crazaaay Sexaaay AND Cool. Comingupnext with the Song of the Hour is Debbie Gibson with “Only In My Dreams“. Currently, it’s four degrees with flurries in the air, you better bundle up and dress warm while you ride with us ON 105.7FM Easy Riiiiiiiide….”

3. Red Light Special

This album’s official Quiet Storm-y song. This song was really made for guys in terms of letting us know what they wanted us to do to them & helping fulfill their “wants” & “needs”. At least that’s the interpretation that I got from it. So now when it comes to the video, why the hell do I see a bunch of dudes trying to rub up on Chili by a poker table and some dude with S-Curl juice sucking on T-Boz’s toes??? And worse, we have Left Eye dressed as a pimp & flipping over the poker table at the end? And why the hell are they even playing poker in the first place?? What does this have to do with a Red Light Special??? This is the definition of false advertising, or to keep in terms with this sexually suggestive song, a straight up cocktease. I’m sure the ladies would strongly disagree especially because Boris Kodjoe also plays the role of one of the male hoes (yes, I’m calling them that), but the last thing I was expecting to see when I heard this song was a bunch of glistening, oiled up dudes in boxer briefs trying to grind on T-Boz’s shoulders. It should have been more for us to watch than just Chilli dancing with the guitar player bottomless & her silk pajama top during the bridge. If there was any way to teleport TLC into 2014 & remake this video so that it could be “Worldstar Approved”, I would have flicked that switch yesterday.

2. Creep

The best record off of CrazySexyCool, plain and simple. As soon as you hear that trumpet come in, it’s a wrap. It’s the funkiest record that they have, and can still play in clubs today. This was a hot, hot record, and the video added more to the song. Looking back at it, the video wasn’t controversial or anything but back then, having them all dancing in silk pajamas for some reason was huge, and I know a lot of women who thought that video was iconic. Back then, the only thing my friends & I wanted to see was if one of their breasts would pop up from under those pajama tops. Hey, I didn’t say we weren’t morons.

As I said, this is the best song from this project in my mind. However, sometimes “the best” has to take a back seat to what is the “most important”…..

1. “Don’t go chasing waterfalls / Please stick to the rivers and the lakes that you’re used to / I know that you’re gonna have it your way or nothing at all / But I think you’re moving too fast”

– Waterfalls

……. & this song is the most important song not only for this album, but of their entire career. It took the group to a level that no one could fathom. The album was doing wonderful in terms of popularity and sales, but when this single was released, it took another life of its own. The song not only told a story from the eyes of a mother who tried to rein in & then eventually lose her son from the street life, but it had a message that spoke to the HIV/AIDS epidemic that was dominating our culture and society in the mid 90’s. The latter part of the song is what we all gravitated to the most.

We forget now just how large the epidemic was, but it was extremely polarizing to say the least. Most people were still so ignorant to the symptoms, how it was contracted, there was a general fear that people had about the disease. So when the video was released back in the summer of 1995, the second half of the song was as raw as it could get at the time without being graphic. It was groundbreaking not just in the fact that it was very socially conscious, but with TLC turning from water into themselves like superheroes and the Waterfall-choreographed dance routine, the whole five minutes looked like something that Michael Jackson or Janet Jackson would have done. The only songs that were as big as this was MJ’s “You Are Not Alone” and especially Coolio’s “Gangsta’s Paradise”. You can argue that it was my generation’s version of “What’s Going On?” or at the very least, it fell into that category with possibly a couple of others. There’s no question it was one of the biggest songs of that decade.

I personally think Creep is a better record musically, but it’s nowhere close to being as important, which is why Waterfalls gets the top spot.

Which Female Group in 2014 Can Be The Next TLC?

Hold on, lemme take a look and see……..

****searching****

Hold on, I’m still searching ya’ll……….gimma a minute………..

……………..I think I found one……I think………..hold on……….

***still searching***

……….. F***. No one I guess. Well damn….

Let me take a nose dive into why we won’t see another TLC again, & honestly, it doesn’t have as much to do with the lack of talent out there. The game overall has changed in the music business & it doesn’t have to do with obvious signs like the talent pool that was overflowing in 1994, compared to the shallowness of it nowadays. The internet, and more specifically, social media has changed everything for better and for worse. It’s a lot easier to obtain music now as compared previously.  With all the various websites, you can obtain everything for free with just the click of a button. It has also transformed regular people into stars, who normally may not have gotten a look and/or glance from a record label. The bad part of it, is most labels are not developing artists anymore, but instead are looking for artists who have already established a movement on their own. So if someone has some songs on Youtube with a catchy dance, & has about 500,000 followers on their account, a label will be quicker to scoop them up & ride that gravy train instead of putting in the time and money to developing an artist. It’s the same decision that TV networks use in choosing to develop a reality show rather than actually creating a real show. It’s cheaper & cost effective. Moreover, dealing with female groups can be expensive. Not only do you have to deal with booking studio time & nurturing the talent, you have to deal with make-up, wardrobe, dance choreographers (depending on what kind of group it is), etc. For record labels these days, it’s easier to just avoid that unless the talent knocks their socks off.

As for the artists, albums don’t sell like they did 20 years ago. As I mentioned before, TLC sold 23 million copies of CrazySexyCool, but even a group like Boyz II Men, sold 9 million & 12 million from their first two albums respectively. Our generation bought product. We would rush down to the local HMV or Tower Records to buy the albums of our favorite artists, & the pre-buzz before an album was released was amazing, as you would have to anticipate the release of said album. Once the album matched the pre-buzz hype, you became a superstar in a lot of cases. In 2014, we consume music different. If our favourite artist is dropping an album, if it’s not being downloaded on something like iTunes, you’re just getting it bootlegged. Gone is that pre-buzz feeling of buying an album, which in a lot of ways had its value. Album sales in general have nose dived across the industry in the last 10 years. Few artists are selling platinum albums these days, & no one is going Diamond. It’s just not happening. So if you’re an aspiring musician, in the land of dwindling sales and 360-recording deals, does it make sense to join a group and split the profits 3-4 ways anymore? You may as well get all the money you can get if you have the talent, and there’s a better chance you’d accomplish more on your own.

So in 2014, would TLC even be around? There’s a better chance that T-Boz & Chilli would have their own solo careers, while Left Eye would be trading bars & hooks with Rick Ross and Meek Mill on MMG (Maybach Music Group) than there would be of TLC joining together to influence a generation. The only way I can see a female group be as huge as TLC was, is if Rihanna, Nick Minaj, and Elle Varner were to make a female super group and put a couple of albums out. They are all attractive & talented artists (& even if Varner isn’t as known as RiRi or Nicki, she can definitely sing) & at their ages right now, they could possibly have that kind of impact on today’s generation if that were to happen. But that’s a well thought out pipedream. Good luck trying to recreate this group. TLC will remain the most popular female group in R&B history, & this album will forever be at the center of their success.

 

Cal Cee // South Shore Ave

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