Tag Archives: Kanye West

More Podcast & Chill….. All Episodes of Season 2 of #TheStoop: A Mini(Podcast)-Series

#TheStoop: A Mini(Podcast)-Series.

Thanks for tuning in to Season Two of our Mini-Podcast series #TheStoop. I would like to thank everyone who participated to the podcast series this season with their guest appearances, contributions, and inspiration. I would love to thank my guests on #TheStoop this season, in order: Michael Hyatt, Headley, Vidal Chavannes, Jonathan Boxill, DJ Majesty, Shawn Adonis, Kevin W., Hafiz Gafoor, Fashion Designer Stacy Bafi-Yeboa, and Legendary Soca Artist Blaxx. It was a pleasure to have all of you on, & thanks for making this season extremely enjoyable!

Here are all the episodes of #TheStoop from this past season:

Episode 1 – The Adventures of Yonge St #CaribanaEdition

1st time guest/Friend of the podcast Michael Hyatt & Headley (Past Contributor to South Shore Ave) join me on the Season 2 premiere. We go down memory lane and take you back to when the most popular street in Canada was the epicenter of Caribana Weekend in Toronto. We discuss what it meant for our generation, share our favorite stories, and its inevitable downfall. https://southshoreave.com/2017/07/31/thestoop-the-adventures-of-yonge-st-caribanaedition/

Episode 2 – The Race Episode

Educational Consultant Vydal Chavannes & Therapist Jonathan Boxill join me as we take the temperature of the racial climate in 2017, the Charlottesville, VA Nazi protest, and Donald Trump’s influence on the escalating racial divide. https://southshoreave.com/2017/08/23/thestoop-the-race-episode/

Episode 3 – Kanye vs. Curtis #10YearsLater

DJ Majesty & Shawn Adonis (Past Contributor to South Shore Ave) come on #TheStoop, and break down the 10 year Anniversary of the Graduation v Curtis album battle between Kanye West & 50 Cent, how it affected the music industry, plus more. https://southshoreave.com/2017/09/11/thestoop-kanye-vs-curtis-10yearslater/

Episode 4 – The Power Season 4 Recap

Past Contributors of South Shore Ave Headley & Kevin W. come on the show to break down all of the high & low moments from Season 4 of Power.  https://southshoreave.com/2017/09/28/thestoop-the-power-season-4-recap/

Episode 5 – The West Indian Food Hall of Fame

Friend of the Podcast & West Indian Foodie Hafiz Gafoor joins #TheStoop as we review a survey compiled by the listeners & supporters of South Shore Ave, and induct Three meals, One drink, and One snack/appetizer into the mythical West Indian food Hall of Fame, plus more. https://southshoreave.com/2017/10/13/thestoop-the-west-indian-food-hall-of-fame/

Episode 6 – The Kania Way w/Stacey Bafi-Yeboa

Stacey Bafi-Yeboa (Owner/Founder of Kania) joins #TheStoop as we discuss her journey with her clothing line, the transition from a Broadway Dancer to a Fashion Designer, her breakdown of her runway show presentation at New York’s Fashion Week, and a lot more. https://southshoreave.com/2017/10/25/thestoop-the-kania-way-wstacey-bafi-yeboa/

Episode 7 – The Blaxx Interview

Soca Legend Blaxx joins us on the Season 2 Finale as we talk about the early stages of his career, his views on the state of Soca Music & the direction that it’s headed, breaks down the makings of his most popular songs, plus a whole lot more. https://southshoreave.com/2017/10/27/thestoop-the-blaxx-interview/

*** Thanks for tuning in as always. Download current and past episodes and don’t forget to subscribe to the podcast and the blog below. You can also check out some of #TheStoop Season 2 episodes on iTunesGoogle Play, & Stitcher for your IOS and/or Android devices. ******

#PodcastandChill

 

Cal Cee // South Shore Ave

To subscribe to South Shore Ave, click onto the Follow button, and enter your email address, or click onto the RSS Feed. Very special thanks to all of you for lending me your ears. To revisit Season 1 of #TheStoop, click the link here: https://southshoreave.com/2016/10/13/podcast-chill-all-episodes-of-season-one-of-thestoop-a-minipodcast-series/

#TheStoop: Kanye vs. Curtis #10YearsLater

#TheStoop: Kanye vs. Curtis #10YearsLater

Today on #TheStoop, we discuss the 10th Anniversary of the Graduation v Curtis album battle between Kanye West and 50 Cent. I invite DJ Majesty and past contributor of South Shore Ave Shawn Adonis, as we break down the battle, how it affected the music industry going forward, plus a lot more.

*** Thanks for tuning in, and don’t forget to subscribe to the podcast below, and also, the podcasts are available for download. ***

#TheStoop: A Mini-Podcast Summer Series // Kanye vs. Curtis #10YearsLater

 

(Brad Barket/Getty Images)

To download the podcast, feel free to click the link below:

https://app.box.com/s/fjm5ayc2q0d2b7xrpptvk8hp0fylsogd

 

 

Cal Cee // South Shore Ave

To subscribe to South Shore Ave, click onto the Follow button, and enter your email address, or click onto the RSS Feed. Very special thanks to DJ Majesty & Shawn Adonis for their guest appearance on this podcast.

#TheStoop: Shitty Shoe War Stories

Today on the extended version of #TheStoop: A Mini(Podcast) Series; I swap war stories with Headley (Co-Host of The V.I.Players… Podcast), about the days when wearing No-Named sneakers during our childhood was the norm, otherwise known as The Shitty Shoe Era. Not as damaging as the Crack Era of course, but heartbreaking nonetheless. We break that down, as well as the time when we got our first named brand shoe, plus explore if it’s possible to put out a great shoe at a low price point in today’s sneaker industry.

*** Thanks for tuning in, and don’t forget to subscribe to the podcast and the blog below, and also, the podcasts are available for download. ***

#TheStoop: A Mini(Podcast)-Series // Shitty Shoe War Stories

 

To download the podcast, feel free to click the link below:

https://app.box.com/files/0/f/0/1/f_93072015703

 

Cal Cee // South Shore Ave

To subscribe to South Shore Ave, click onto the Follow button, and enter your email address, or click onto the RSS Feed. Very special thanks to Headley B. for his guest appearance on this podcast.

#FlashbackFriday Videos: The Underrated Sketches of Chappelle’s Show

One of the shows that I miss to this day that’s no longer on the air is, Chappelle’s Show. Even though it had a short run (2 seasons, if you include the “Lost Episodes season, than 2 1/4 seasons), it had a ripple effect on how comedy was done on TV, to the point where I’m not entirely sure that it has been matched to this day. Chappelle took what Keenan Ivory Wayans did with In Living Color, & not only updated it, but enhanced the content & pushed the boundaries further (a perk of working on Comedy Central instead of a major network like Fox). It was a classic, classic show that’s remembered fondly because it only lasted two seasons. It never got a chance to lose top writers, change actors, or get stale after a few years like Martin did after Season 3 or what The Real Husbands of Hollywood is going through since Season 3 started. Of course, it was a self-imposed walk off from Dave himself, that unfortunately ended its reign, however, because of the short time it was on the air, the legendary shine never had a chance to have its sheen rubbed off.  

Now, we all remember the classic skits that made the show what it was. From Black-White Supremecist Clayton Bigsby, to the R. Kelly “Piss On You” videos, to Tyrone Biggum and the Mad Real World, to Making the Band, to Rick James & Wayne Brady, the show was immortalized by those legendary skits. But much like a championship team, stars alone does not a team make. You have to have the right set of role players that know their roles & play calling that make everything work. It’s about attention to detail, paying attention to every drill, every word, all the little things that makes anything great. In the case of the Chappelle show, as special as the aforementioned skits were, it was some of the other underrated skits that enhanced the level of the show. Today, on #FlashbackFriday Videos, we’ll show you a scattered collage of the most underrated skits that helped make the Chappelle’s Show one of the most influential shows in TV History.

**** WARNING: Some of these videos contain swearing & course language. ****

“Knee High Park”

This sketch is so, so genius & so, so wrong at the same time. Especially after the 1st puppet takes a hit of heroin & ends his song with foam coming out of his mouth. I think part of why I love this skit so much is that it’s an extension of his bit that he did on his “Killing Them Softly” concert a few years before, when he breaks down the stereotypes of Sesame Street. Back when I first saw this sketch, I knew where the foundation of the idea originated from. If you watch that concert clip hyperlinked two sentences ago, you’ll understand this sketch entirely. Also features Snoop’s voice as “Dangle” and Q-Tip singing a song about STD’s. Favorite lines from that skit are: 

“You don’t understand / Is I make love to my hand / so I don’t need you honey / I beat my **** like it owes me money….” – The “F**k It Song 

“Well hello Dave Chappelle! Haven’t seen you in a while. What’s it been? Two months??” – The end of the Gonorrhea song after Gonorrhea turns around and sees Dave for the first time. 

“When Keeping It Real Goes Wrong”

 

It’s one thing for the content of this sketch to be a funny as it is, but it goes to another level when you use the narrative voice from the infamous NFL Films to actually narrate it. The ones with David getting his ass kicked in by his girlfriend and some random dude at the club, and the girl who goes nuts when someone calls her by mistake and hangs up are great…… but it’s something about this episode of Dave reacting poorly to his boss giving him a racially awkward high five. I think most black men have been in the position of being turned off when this happens to them at work, when their boss or co-worker wants to be “cool” with you by giving you an awkward handshake or using outdated or similarly awkward slang to try to relate with you (ie. “Hey Cal! How’s it hanging bro? Yeah, I can dig it!). Usually you just say “hello” back and you keep things moving. So it’s interesting to see the flip side of what someone would do in that kind of situation. Of course though, Dave takes it way too far. Bonus points for barking like DMX & throwing up the Ws for Wu-Tang. 

“The Niggar Family”

Part of what made Chappelle’s Show, was the lack of fear to push the racial boundaries & tackle those issues, discussions, and debates through Dave’s comedy. As we found out later, it was also something that he struggled with while doing the show at times. However, above all else, Chappelle, Neal Brennan & his writers would make up these crazy situations, scenarios, mixed in with racial aspects that were as well planned out as they were funny. I think having a sketch based on a white family that happens to be called Niggar is probably a highly qualified example. 

“2Pac is Still Alive?”

After Tupac died in Sept 1996 (damn, it’s almost 20 years already?!), he essentially became the Hip Hop version of Elvis. With all the albums & music that was released after he died, there were many people who thought his death was a hoax & that he was recording tracks either in a hood in Oakland or somewhere in Cuba close to the beach. Some of his lyrics were so ahead of his time that they sounded like he did them the night before (as some people felt anyway). So naturally, Dave touches on this early 2000’s pop culture topic. Based in the club, Dave and the rest of club goers are dancing when Questlove the DJ premieres a new Tupac song. Everyone is hype about that song at first, but then get confused as Tupac touches on topics so relevant, that he’s describing people in the club (which includes scolding Dave for dancing on a woman whose not his wife). 

It’s an underrated/lost sketch because it released after Chappelle left the show & Comedy Central still went on to air 3 episodes worth of new Chappelle material that people barely remember. Comedy Central then went on to package & sell those lost episodes on DVD making sure they squeezed every single last drop of potential Chappelle income they could collect on. Smh…… 

“Player Hater’s Ball”

 

Dave, Charlie Murphy, Donnell Rawlings, & others dressed up as pimps hating on anything & anyone at a Hater convention? I’m not sure what else needs to be said, but I know you started smiling already. Admittedly, I’m not entirely sure that this one falls under the underrated umbrella. In fact, I think it walks the line between being legendary & being underrated. I only rank this as underrated because it doesn’t get discussed as much as the other legendary ones, but it should absolutely fall alongside with them. It’s the equivalent to Cris Carter getting rejected for years and years from the Football Hall of Fame until finally getting selected. This sketch is knocking at the Legendary Level doors with its measurements in its hand to give to the committee, so that it can be fitted for their Hall of Fame yellow jacket. 

Underrated line of the sketch: 

“Why don’t you click your heels together three times……and go back to Africa?” – Silky Johnson 

“Dancing For Different Cultures”

 

Another thought-provoking sketch that breaks down each race and culture by which musical instruments make each of them lose control. Conducting the sketch like a social studies project, Dave & Jon Mayer go to different settings to see how influential his guitar riffs are over white people. Once he gets shot down by the Black & Hispanic customers at the local barbershop, he brings out Questlove on the drums and Sanchez on the keyboards to see if they fall under the influence of their instruments as well. Bonus points for Chappelle Harlem-Shaking while a cypher breaks out once Questlove starts drumming, as well as the repeated G-Unit shoutouts.  

Common “The Food” ft. Kanye West

“I walked in the crib / Got two kids / & my baby mamma late / uh oh! uh oh! uh oh!….” 

Based on the friendships Chappelle had with some of the hottest musicians at the time when he was putting his show together, ending the show with live musical performances was probably the most predictable thing to happen from that. With that said, he brought that format to a very unique level. Instead of having them perform in front of the live studio audience or at Club Natalie’s a la New York Undercover, he brought it to venues where the artists felt comfortable. They would shoot you singing or rapping on the street, at the library, in front of a urinal fresh off of using one, didn’t matter. We got a chance to see Mos Def freestyle in the shotgun seat with Dave driving, Wyclef singing “If I Was President” with his guitar at the studio, Kanye, Freeway, and Mos Def rapping “Two Words” on a triple decker bus, and countless other performances. My personal favorite however is Common performing “The Food” with Kanye simply because of where Common’s career was at the time. 

After crawling out of the Knitted Clothing & Crochet Bubble (in other words, dating Erykah Badu and fully embracing her essence), & putting out Electric Circus, his career was at a crossroads. Common needed a win. Badly. His credibility as a rapper was taking some shots, & people thought he was done because of the image changes he made. I never thought to question Common’s abilities as a rapper. In fact, you go back & listen to it, Lyrically, he didn’t really go anywhere. But the knitted hats/shrit combos though….yikes. Then fellow Chicagoan Kanye West fresh off his College Dropout album was starting up his G.O.O.D. record label & needed artists to sign. He convinced Common to hop aboard & gave him a lifeline by producing the majority of the classic comeback album “Be” (save for a couple of J. Dilla beats), which holds up beautifully even 10 years later. While the album was being made, there was a heavy buzz about the collaboration but no one really heard anything from it as yet, so for a lot a people, that performance on Chappelle’s Show was really the first time we got to see “Comeback Common.” It was an unexpected premiere-of-sorts, much like when a rapper nowadays unexpectedly debuts a new song at King of Diamonds, with a stripper twerking on your left shoulder, while you decide whether or not to have the mild or spicy chicken wings. Okay, maybe not so much.  

The Food performance remains so memorable because at the time, a) it was the hottest shit we heard from Common since “Like Water For Chocolate”; b) “College Dropout” era Kanye was joined at the hip regardless of the success of his own album; & c) they were rapping from a makeshift kitchen, with Kanye popping up from behind the counter to spit the chorus. It was the hottest musical performances from that show, & once they ended the song with their fists up, you knew Common was back. Not saying he wouldn’t have gotten there without performing on Chappelle’s Show of course, but it made for a very cool, authentic moment.   

“Law & Order”

 

Dave presents a bizarro-world scenario where the drug dealers get the fair treatment in court while the white corporate business gets the book thrown at him. It’s another thought-provoking social experiment flip on the idea of how blacks and whites are perceived in the court of law. It’s a hilarious perspective watching “Tron the Drug Dealer” get away with so many infractions of reckless behavior here. 

Underrated moments in order: 

3) When Tron explains why he was more than 6 hours late to his meeting with his lawyers, 

2) When Bill Burr’s character explains what went down during the arrest on the witness stand, 

1) When the judge reads the plaintiff the riot act which ends with him calling him a “Filthy, big lipped beast”, and telling him to go lift weights & convert to Islam.

 

Cal Cee // South Shore Ave

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#FlashbackFridayVideos: Kanye West’s “Jesus Walks”

Ok, here’s the thing…..

……each and every last Friday of each month, we were supposed to be posting #FlashbackFridayVideos, a segment focusing on classic music videos, classic sports games and general signature pop culture moments from back in the day. While the spirit is there, I’ve changed the parameters a little. We will post at least one of these segments, once a month instead of the 4th Friday of each month. So in case the spirit hits me (or us when I tag-team the segment with someone), I don’t want to have to wait until the end of each month to post it. We’ll still have quick rundowns and explore all the angles that come to our minds on each video when it comes to sports moments and videos, cool? Cool. Phew! Now that we got that out the way, let’s walk with Jesus….

Before the spazzing-out episodes about getting deeper into the clothing industry, before the paparrazzi, before the Kardashians, the Yeezy kicks, the Adidas deal, even before Katrina, we had “College Dropout” Kanye. This version of Kanye used his first album to bring out some of the fallacies and pressures of college life, which was completely different from anything that was heard from Roc-A-Fella Records. He sounded different, looked different, dressed different, and acted different. This was a dude that would show up on the scene in a pink polo shirt, a blazer, and a backpack (usually Louis Vitton-affiliated, but still). He was as “clean cut” a rapper, as you were going to get out of the Roc. Kanye didn’t have a drug dealing background like Jay-Z, wasn’t from the Marcy projects like Memphis Bleek, wasn’t a Broad St. Bully like Beanie Sigal (who was the first rapper to use Kanye’s production), wasn’t about the grimy life like Freeway, and wasn’t hustling until the sun came up like State Property’s persona. For all intended purposes, Kanye seemed like a regular (if not cocky) guy that happened to be able to rap and produce. He had insecurities, flaws, & even if he loved to floss, he wasn’t afraid to deal with his issues in his raps. Then on the production side of things, he was building a catalogue that was helping to change the landscape of Hip Hop. Between him and Just Blaze, their production helped to extend the life of the Roc and even Hov in particular, in the early 2000’s.

Once Kanye stepped out, started rapping not with his labelmates, but with guys like Talib Kweli, Yaasin Bay (forever known as Mos Def), Common and Twista, & they co-signed his rhyming skills, he started to become official. He put out the videos to, Through the Wire” & All Falls Down”, but had a song bubbling on the low that was going to change everything in his career up to that point……

“Jesus Walks”, even at that time, was not only one of the most original songs that Roc-A-Fella ever put out, but was one of the more original records that we ever heard from an artist. We never saw someone talk about Jesus as blatantly as Kanye did in Hip Hop. It was thought-provoking, it sounded dope, it shed light on his relationship with the Lord without sounding preachy, it sounded dope, it was hella-artistic, and again, it sounded dope. A Hip Hop record speaking about religious beliefs doesn’t work unless it aces the test sonically. Let’s face it, people may love the Lord, but the masses don’t want to hear about it in 16 bars or more over a boom-bap beat. If that was the case, the Christian rap game would be huge right now. It’s probably one of the reasons why we haven’t heard a song like this since. With that said, this song & video represented the best examples of Kanye as an artist & where he was headed. In the video, he touches on many different kinds of people in different scenarios struggling through their lot in life. The white supremacist/clan member cutting down a tree to carve out a cross; the prisoners in a chain gang; the drug dealers fleeing from the feds with the stripper in the backseat; and the disenfranchised youth skipping, all share the common denominator that the Lord walks with them through thick & thin.

He represented all different facets, while showing his greatest strength, which is to never fear the opportunity to veer left when everyone is heading right. He wasn’t afraid to promote his message (he put out THREE different videos for Jesus Walks for goodness sakes!), wasn’t fearful of challenging the status quo (“So here go my single dog, radio needs this / they say you can rap about anything except for Jesus / That means guns, sex, lies, videotape / But If I talk about God my record won’t get played, huh?”), & it was expensive as hell (1st & 2nd versions costs $1.5M combined). No one in Hip Hop would have dared tried to make this song, much less his labelmates. They might have tried to sautée their Roc-A-Fella chains, & eat it with some pasta before they’d cut a record like this.

It’s a shame though, because personally, I miss “College Dropout” Yeezy. Someone who made his own soulful beats, shared his experiences of his college days & his desires of making it big (even if he was already at the time), & also shockingly holding his own with some of the heavyweight rappers that guest appeared on his album. This album dropped around the time my friends & I were still in University ourselves, so for a lot of us, this album was our personal soundtrack. Shit, one of my boys even had a customized Jesus Walks Blazer back when wearing a Blazer &/or Button-up with a fitted cap was the way to go. Like many of us that have moved on and matured from those days, Kanye has graduated from his talents back then, to be one of the biggest superstars the genre has seen to this day. So much so, that outside of Jesus Walks, he barely performs any of the tracks off the College Dropout in concerts or other live events. Considering some of the controversies that we’ve seen from him since this song dropped (his mom’s passing, fighting the ‘razzi, “Imma let you finish”, etc.), maybe this song was a prophetic affirmation that HE would continue to walk with him through all his trials & tribulations (self-inflicted or not). I mean, how else do you explain the fact that he still remains so hot to the masses, with all of his public missteps and large portions of the public hating his guts because of it? He still hasn’t cracked yet, and doesn’t seem to be slowing down. Maybe in some way, this song is the one from his debut album that is still relative to his life nowadays, who knows really. All we know is that a song about God sent him on his way. Considering how dark Hip Hop can sometimes get, that’s probably an underrated blessing in itself.

 

Cal Cee // South Shore Ave

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